"Ape In Pink Marble is a subtle proposition, but an intriguing one. The album’s title – perhaps a nod to his parallel life as a visual artist – suggests a studied surrealism and oblique personal expression. Its songs can be divided roughly into two camps: faintly funky frivolities and sad, late-night reflections."
Unapologetic gushings of a musical nature. On the records that have shaped my tastes, are currently rocking my world, and will take pride of place in my collection for years to come. Live reviews, profiles and features. Psych, soul, funk, punk, alt-rock, soft-rock and a whole lot more besides.
Thursday, 17 November 2016
Devendra Banhart - Ape In Pink Marble (Nonesuch)
I reviewed Devendra Banhart's ninth LP for musicOMH. Read in full here.
"Ape In Pink Marble is a subtle proposition, but an intriguing one. The album’s title – perhaps a nod to his parallel life as a visual artist – suggests a studied surrealism and oblique personal expression. Its songs can be divided roughly into two camps: faintly funky frivolities and sad, late-night reflections."
"Ape In Pink Marble is a subtle proposition, but an intriguing one. The album’s title – perhaps a nod to his parallel life as a visual artist – suggests a studied surrealism and oblique personal expression. Its songs can be divided roughly into two camps: faintly funky frivolities and sad, late-night reflections."
Suuns - Hold/Still (Secretly Canadian)
“Fall is dark and unsettling, a deliberately abrasive choice as album opener. The guitars are squalling and piercing, singer Ben Shemie’s vocals distorted and ugly; the drums, when they come in around the one-minute mark, are crushing, compressed to within an inch of their life. “Down… down,” Shemie repeats. We’re gonna pull you down into our world for the next 40 minutes, is the message. And where we’re going there’s gonna be very few instant, advert-ready tunes."
Subscribe to:
Posts (Atom)